Cuore center.

I have always believed that working in a space I define as “positive”—characterized by its natural light, aesthetic appeal, well-organized layout, and overall pleasant environment, but most importantly by the cultural value it offers—is inherently productive, regardless of whether the space is large or small.
A prime example is La Triennale in Milan, featuring Cuore, its archive and study center—a platform dedicated to research, memory, and innovation. This space was conceived to showcase the scientific design work underpinning all the institution’s activities, serving as a catalyst for exploration and creativity.
The center is designed to connect a diverse network of visitors, researchers, universities, heritage authorities, foundations, and companies.
The project restores the original 1933 architectural design of one of the ground-floor galleries by Giovanni Muzio, marking the beginning of a broader initiative to requalify the entire Palazzo dell’Arte.
Under the direction of AR.CH.IT and architect Luca Cipelletti, the redesign emphasizes the architectural heritage of the space, reinstating the perspective axis that guides visitors from the Palazzo’s atrium to Muzio’s iconic helical staircase.
To accommodate varying functional requirements, the modular elements of the exhibition system are highly reconfigurable. This flexibility enables a variety of uses, including archival displays, study areas, meeting rooms, and both analog and digital exhibitions focused on specific themes—all aligned with the project’s overarching commitment to sustainability.